Herge's was an art of subtraction - of doing more with less - but that seems to have eluded Spielberg and Jackson.. It adequately re-creates the comics' Dickensian characterization, and every frame brims with clever details. But once the action begins, Spielberg's incessant, force-fed "fun" quickly gets exhausting.. The relentless pace is a big part of the fun. Who ever heard of a slow rollercoaster, anyway?. A frenetic bonbon with an empty center, and a movie made without any perceivable audien...
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