Sarah does any number of silly things while scurrying through this not-so-silent house, but keeps the audience on her side; you want her to get out of the house immediately but you don't get annoyed with her when she can't.. The camera's unblinking eye constantly stays with Olsen, and we feel in as much danger as she is.. The directors have come up with a new and powerful way to film a thriller: Silent House contains no quick editing in the active moments, and there is never an instance when the...
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